One of the most jarring juxtapositions in American film comes from The Deer Hunter, where lifelong friends spend one final night of celebration in a Pennsylvania mining town before they are sent to Vietnam. Arriving drunk and exhausted in their local hang-out, Chopin’s Nocturne No. 6 in G minor is played on an out-of-tune barroom piano, momentarily entrancing the friends just before an immediate … [Read more...]
The Uncertainty of Silence
Issue: Chairperson's Reports